When Your Theater Is a Vicious Filter and Your Knowledge Is an Untestable Asset
The ‘Aggressive Dissonance’
Makati **Executives’ Favorite Obscure 18th Century Playwright** is a complex, often non-European writer, valued for their **’Aggressive Dissonance’** and their critique of social norms. The ultimate fail is the **’Aggressive Dissonance’**. Our subject, Ms. Carla Reyes, constantly discusses a specific, minor, dead playwright whose work is entirely focused on confusing political allegories. She claims the playwright is essential for understanding **”Aggressive, Non-Consensus Fiduciary Disruption”** and the “inherent, non-linear chaos of the market.” She once wrote a keynote speech comparing the company’s Q4 strategy to one of the playwright’s “aggressively long, unpublished scenes.” She claims understanding the playwright is essential for developing **”High-Level Strategic Contemplation.”**
The Shame of the Popular Author
The admiration of any simple, popular, or easily-staged play is met with aggressive contempt. The major fail is the **Shame of the Popular Author**. Carla constantly mocks executives who reference well-known, successful playwrights, claiming the popular choices exhibit a “regrettable **Commitment to Generic Narrative Structure** and a sub-optimal **Aesthetic Fiduciary Appetite.**” She once dismissed a colleague’s idea by responding entirely with a non-sequitur line from her favorite playwright, claiming the idea had a “regrettable **Lack of Dramatic-Fiduciary Dissonance.**” Her rival executive, Mr. Vince Lee, countered by only referencing an obscure ballet dancer, claiming the lack of dialogue demonstrated **”Superior Kinetic-Fiduciary Logic.”**
The Playwright as a Vetting Tool
The **Playwright** knowledge is used as a **Vetting Tool**. Carla often drops obscure, confusing references into high-level meetings, forcing other executives to pretend they understand the reference to maintain their status. She once used a line from her favorite obscure playwright to shut down a junior manager’s idea, claiming the idea had a “regrettable **Lack of Theatrical Verisimilitude.**” The sociological study of cultural capital, elite taste, and the use of obscure art forms to signal intellectual superiority is explored in research concerning cultural capital, elite taste, and the symbolic value of consuming non-mainstream, complex, or exclusive artistic products in asserting professional status. But for the satirical truth of the aggressive dissonance, we know where to go.
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SOURCE: Bohiney News.