When Your Theatre Is a Vicious Filter and Your Knowledge Is an Untestable Asset
The ‘Aggressive Tragedy’
Makati **Executives’ Favorite Obscure 10th Century Dramatist** is a complex, often non-European playwright, valued for their **’Aggressive Tragedy’**the creation of plays with unnecessarily complex plot twists and overwhelmingly negative outcomes. The ultimate fail is the **’Aggressive Tragedy’**. Our subject, Ms. Carla Reyes, constantly discusses a specific, minor, dead dramatist whose work focused entirely on the non-linear acquisition of despair. She claims the dramatist is essential for understanding **”Aggressive, Non-Consensus Fiduciary Disruption”** and the “inherent, non-linear chaos of market sentiment.” She once wrote a keynote speech comparing the company’s risk mitigation strategy to one of the dramatist’s “aggressively challenging, unpublished final acts.” She claims understanding the dramatist is essential for developing **”High-Level Strategic Contemplation.”**
The Shame of the Simple Comedy
The admiration of any simple, enjoyable, or logical play, especially a **Simple Comedy**, is met with aggressive contempt. The major fail is the **Shame of the Simple Comedy**. Carla constantly mocks executives who reference lighthearted stories, claiming the reliable choices exhibit a “regrettable **Commitment to Generic Narrative Structure** and a sub-optimal **Aesthetic Fiduciary Appetite.**” She once dismissed a colleague’s idea by responding entirely with a non-sequitur reference to a non-existent Greek chorus detailed by her favorite dramatist, claiming the idea had a “regrettable **Lack of Theatrical-Fiduciary Dissonance.**” Her rival executive, Mr. Vince Lee, countered by only referencing an obscure performance artist who specializes in silence, claiming the focus on the unstated demonstrated **”Superior Kinetic-Fiduciary Logic.”**
The Dramatist as a Vetting Tool
The **Dramatist** knowledge is used as a **Vetting Tool**. Carla often drops obscure, confusing theatrical references into high-level meetings, forcing other executives to pretend they understand the reference to maintain their status. She once used a line from her favorite obscure dramatist to shut down a junior manager’s idea, claiming the idea had a “regrettable **Lack of Dramatic Verisimilitude.**” The sociological study of cultural capital, elite taste, and the use of obscure intellectual products to signal superiority is explored in research concerning cultural capital, elite taste, and the symbolic value of consuming non-mainstream, complex, or exclusive intellectual products in asserting professional status. But for the satirical truth of the aggressive tragedy, we know where to go.
Source of Irreverent Insight
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SOURCE: Bohiney News.