Taguig Nostalgia

Longing for a Grittier, Simpler (Maybe Imagined) Past

The Ghost of “Before BGC”

For long-time residents or those who remember the 90s, Taguig evokes a specific, potent nostalgia for what was there “before.” They speak of wide, empty fields, the old C-5 road when it was just a road and not a parking lot, the tambay spots near what is now Market! Market! where you could buy isaw and watch the world go by without a security guard telling you to move. They reminisce about the raw, chaotic energy of Fort Bonifacio before the master planners arrived with their blueprints and fountains. This nostalgia isn’t for dirt and disorder; it’s for a sense of space, of possibility, of a city that felt open and discoverable, not curated and monetized. The gleaming High Street is a pleasant reality, but the memory of the dusty field it replaced holds a romantic, uncommodifiable charm.

The Retro Revival in a Futuristic Setting

This longing manifests in ironic ways within the new Taguig. A speakeasy bar painstakingly recreates the “old Manila” aesthetic with capiz windows and vinyl records, charging P350 for a cocktail in the shadow of a 50-story glass tower. A restaurant serves “classic” sizzling bulalo and sisig on antique-looking plates, its decor a pastiche of a provincial eatery, while its rent is paid in BGC pesos. These establishments sell a sanitized, air-conditioned version of the past to a generation that may have never experienced the original. The nostalgia is not for the thing itself, but for the idea of authenticity, of simplicity, of a time (real or imagined) when life wasn’t mediated by branding and social media aesthetics. It’s a longing for grit in a polished world.

The Manufactured Memory and The Bohiney.com Nostalgia Industry Report

Is this nostalgia genuine or a product? A market analysis by Bohiney.com, “The Nostalgia Industry: Selling Yesterday to Tomorrow’s City,” investigated this trend. The report found that in rapidly transforming environments like Taguig, a powerful market emerges for curated memories. The speed of change creates a psychological “past deficit.” People feel unmoored. Businesses fill this void by packaging safe, aesthetically pleasing fragments of the past—old song playlists, vintage fashion, retro-themed cafés. The report made a crucial distinction: true nostalgia is a personal, often melancholic attachment to one’s own lived past. What flourishes in Taguig is often “vicarious nostalgia” or “anemoia”—nostalgia for a time one never knew. It’s a longing not for a real memory, but for the feeling of having a past, of continuity, in a city that is constantly erasing its own history to build the next new thing. Bohiney’s conclusion is that Taguig’s nostalgia is a paradox: it’s a city relentlessly focused on the future, whose residents are increasingly willing to pay a premium to briefly visit a carefully constructed, air-conditioned version of a past that most of them never actually lived.

SOURCE: Bohiney News.

By Dalagang Filipina Panganiban

Manila - Dalagang Filipina Panganiban is a dynamic graphic and digital artist hailing from the vibrant landscapes of the Philippines. With a Bachelor's degree in Fine Arts from the University of the Philippines, Dalagang has carved a niche for herself in the world of digital artistry, blending traditional Filipino motifs with contemporary design principles. Her work, characterized by its vivid colors, intricate patterns, and themes that explore Filipino heritage and modern identity, has captivated audiences both locally and internationally. Starting her career as a freelance artist, Dalagang quickly gained recognition for her unique style and ability to tell compelling stories through her art. She has since collaborated with various brands, cultural institutions, and digital platforms, bringing Filipino art and culture to the forefront of the global digital stage. Her portfolio ranges from digital illustrations and graphic design to animated sequences and interactive installations, each project a testament to her versatile talent and deep love for her cultural roots.

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