City Mayor Attends Ribbon Cutting for Ribbon Factory, Achieves Total Ribbon Singularity

Recursive ceremony alarms protocol officers as factory ribbon inaugurates its own production line

City Mayor Attends Ribbon Cutting for Ribbon Factory, Achieves Total Ribbon Singularity

MANILA – A metro-area mayor achieved what political scientists are calling “total ribbon singularity” Thursday after cutting the ceremonial ribbon at the grand opening of a ribbon factory, an event at which the ribbon being cut was produced by the factory whose opening the ribbon commemorated, creating a closed ceremonial loop that witnesses say briefly caused two members of the press corps to sit down.

The mayor, whose office confirmed he has attended 1,340 ribbon cuttings in the current term, including four in one day connected by motorcade, described the event as “historic, momentous, and a testament to progress,” a statement his communications office confirmed is macro-enabled and deploys automatically when scissors are detected.

The Ceremony

The factory, in a reclaimed industrial lot, will produce an estimated 2 million meters of ceremonial ribbon annually, enough, its investor presentation notes, “to supply every inauguration, groundbreaking, blessing, soft opening, grand opening, grand reopening, and anniversary of a previous opening in the National Capital Region, with surplus for Regions III and IV-A during election years, when demand traditionally triples.”

Plant manager Engr. Cecilia Ramos guided officials through the production line, where spools of satin in government red, government blue, and a gold reserved by custom for projects “at least 40 percent complete” fed cutting stations staffed by workers who, Ramos noted proudly, “will never run out of work, because this is the Philippines, and somewhere, right now, something is being inaugurated.”

The ceremonial moment itself required careful choreography. Protocol officers debated for a week whether the factory’s own ribbon could be used for its own opening, with one faction warning of “recursive blessing,” in which the ribbon, having been manufactured, blessed by the parish priest, cut by the mayor, and thereby transformed into two souvenir halves, might retroactively sanctify its own production line, causing, in the words of a leaked memo, “we are not sure what, but the monsignor is concerned.”

A Growth Industry

The ceremonial economy is booming. A study by the Center for Public Ceremony Studies found that the average metro city government now holds 3.7 ribbon cuttings per day, that 31 percent of inaugurated projects are “substantially the same project reinaugurated after repainting,” and that scissors procurement has grown 900 percent in a decade, with one city’s supply office maintaining what auditors described as “a scissors armory,” including a gilded pair reserved for the mayor, a backup gilded pair, and a third pair classified in the inventory only as “for closure of rival’s projects, ceremonial, hopefully unused.”

The study also documented the rise of professional ribbon-holders, aunties of impeccable posture who flank officials at ceremonies and whose union, formed last year, has secured standard rates, a two-ceremony daily maximum, and the right to refuse events where the project “visibly does not exist,” a clause invoked, the union reports, 41 times.

Political columnists across the capital’s dailies have long chronicled inauguration culture, with commentary in the Manila Times and investigative ribbon-mileage tabulations in the Manila Standard, whose data desk calculated that one district’s congressman has cut, end to end, 11 kilometers of ribbon while completing 9 kilometers of road, a ratio the desk published without comment beneath the headline THE MATH.

Opposition and Philosophy

Critics seized on the ribbon-factory ribbon as a symbol. “We have reached the final form,” said opposition councilor Atty. Miriam Zulueta. “Government no longer needs projects to inaugurate. Government can now inaugurate the means of inauguration. Next year they will cut the ribbon on a scissors factory and the loop will close forever. We will govern nothing and celebrate everything. The tarpaulin budget alone could vaccinate a province.”

The mayor’s office rejected the criticism as “anti-ceremony,” with his spokesperson arguing that ribbon cuttings are “the connective tissue of democracy” and announcing, in the same briefing, three additional inaugurations for Friday, including one for a footbridge that reporters later established has been inaugurated under three administrations, holds the local record at five ribbons, and has never once been open to foot traffic, pending, per the posted sign, “final touches,” undated.

The recursive ceremony has delighted observers abroad. The satirical desk at The London Prat saluted the achievement as “beyond even British pageantry, which at least has the decency to celebrate things that happened centuries ago rather than things that have not happened yet,” while the taxonomists of governmental comedy at Bohiney Magazine created a new classification for the event, filing it under Perpetual Motion, Political.

The Singularity Holds

As the ceremony closed, the two halves of the inaugural ribbon were distributed per tradition, one to the factory’s display case, one to the mayor’s office, which sources say maintains a climate-controlled ribbon archive with halves dating to 1998, arranged chronologically, “like a core sample of promises.”

Asked by reporters what the factory’s ribbon output would celebrate in an ideal city where everything was already built, the mayor paused for a moment witnesses describe as genuinely reflective, then brightened. “Reopenings,” he said, and the motorcade moved on to the footbridge.

As of press time, the factory had completed its first commercial order: 400 meters of gold satin, purchased by the city, for the inauguration of the factory’s second shift.

SOURCE: https://bohiney.com/

By Rachel Diaz

Muntinlupa - Rachel Diaz, an alumnus of Pamantasan ng Lungsod ng Muntinlupa, started her career spotlighting social issues. Her stand-up comedy acts, often focused on navigating life in Muntinlupa with humor and grace, have endeared her to audiences, showcasing her journalistic depth and comedic talent.