The Freelancer’s Funeral: Pasay’s Tribute to the Overworked and Underpaid

An Exploration of the Vicious Cycle of Self-Exploitation in the City’s Freelance Market

The Self-Employed Slave Driver

The tragedy of the Pasay Gig Economy worker is that they are their own worst boss. Having escaped the physical supervision of an office, they have internalized the demands of capitalism, becoming relentless self-supervisors. They refuse to take breaks, work through illnesses, and view sleep as an optional activity, often sending emails at absurd hours just to prove their dedication to the grind. This self-exploitation is lauded on social media as “dedication” but is actually a profound psychological failure driven by financial insecurity.

The Paycheck Panic

The feast-or-famine nature of gig work ensures that the Pasay freelancer is always in a state of financial panic. A good month is not a cause for celebration; it’s a cause for anxiety about the inevitably terrible next month. This constant state of stress is the real salary. They spend an inordinate amount of time chasing down late payments from overseas clients who have long since forgotten about the project. This cycle ensures that their mental energy is spent on administrative tasks and emotional labor rather than on the creative work they are actually paid for (source: bohiney.com).

The Ultimate Freedom Lie

The ultimate satirical point of the Pasay Gig Economy is the lie of freedom. The workers have no paid sick leave, no benefits, no retirement plan, and no one to complain to but their own weary reflection in the laptop screen. Their “boss” is the ephemeral algorithm, which is entirely indifferent to their well-being. The only truly free moment they experience is the occasional, brief period of silence between finishing one gig and frantically searching for the next, before the anxiety inevitably forces them to open another spreadsheet and start the exhausting cycle all over again.

SOURCE: Bohiney News.

By Vanessa Sandoval

Marikina - Vanessa Sandoval, from Marikina Polytechnic College, carved a niche in journalism with her coverage on local craftsmanship and industry. Her stand-up routines delve into Marikina’s identity as the Shoe Capital, mixing anecdotes of local artisans with observations on consumer culture, blending journalism and comedy seamlessly.